About SE

Precision Audio Monitoring & Electronics, Architectural Acoustic Design

Founded in Bern, Switzerland, STRAUSS ELEKTROAKUSTIK designs and builds precision monitoring systems, analog electronics, and purpose-built acoustic environments for professional and critical listening.

For decades, founder Jürgen Strauss has combined physics, measurement, and psychoacoustic research to develop monitoring systems and acoustic environments trusted by engineers, studios, and research institutions worldwide. From its headquarters at the SE MUSICLAB in Bern, together with STRAUSS ELEKTROAKUSTIK USA in Los Angeles, Strauss supports clients through an international network of showrooms, authorized dealers, and ambassadors.

Interior view of THE STUDIO control room at SE MUSICLAB in Bern, Switzerland, showcasing the massive main monitoring setup featuring the flagship STRAUSS ELEKTROAKUSTIK MF-4 mastering monitors paired with dedicated PA-250 power amplifiers, meticulously integrated into a professional critical listening environment.

THE STUDIO — SE MUSICLAB in Bern, Switzerland

Reference Installations & Institutions

Wide interior view of a world-class mastering suite at Sony Music Studios Tokyo, showcasing the custom flush-mounted main monitoring walls featuring integrated STRAUSS ELEKTROAKUSTIK SE-MF-2.0 mastering studio monitors, paired with an elegant analog console and precision outboard gear under warm studio lighting.

Sony Music Studios Tokyo

Strauss monitoring systems installed across all 12 mastering suites

Wide interior view looking into the precision-engineered acoustic environment of THE LAB at SE MUSICLAB in Bern, Switzerland, showcasing a central listening chair and workstation desk set within a custom white decoupled modular wall system beneath a signature multi-ring circular ceiling lighting fixture.

SE MUSICLAB (Bern)

Strauss headquarters and integrated research, recording & production facility.

Wide interior view of the ArtLab auditorium at the Max Planck Institute for Empirical Aesthetics in Frankfurt, featuring an acoustic design by Jürgen Strauss with custom floor-to-ceiling brick block diffusion walls, minimalist wood-finished audience seating, and an angled acoustic ceiling layout.

Max Planck Institute for Empirical Aesthetics | ArtLab & Control Room (Frankfurt)

Strauss reference monitoring and acoustic design by Jürgen Strauss for scientific listening research, spatial perception, and production.

Close-up architectural view of the Immersive Design Lab at ETH Zürich, showcasing custom-engineered white vertical line source loudspeakers designed by Jürgen Strauss, integrated into a precision wave-field synthesis array above a distinctive textured, wave-patterned acoustic floor design.

Immersive Design Lab | ETH Zürich (Swiss-Federal Institute of Technology)

Strauss monitoring systems used for spatial auralization and wave-field research

Twelve Suites — One Standard

Sony Music Studios Tokyo utilizes Strauss monitoring across all 12 of their flagship mastering suites. It is an environment where physical stability, time coherence, and long-term consistency are essential.

“We have never heard such accurate mastering monitors ever before.” — Sony Music Studios Tokyo, 2000

Wide interior view of a world-class mastering suite at Sony Music Studios Tokyo, highlighting custom STRAUSS ELEKTROAKUSTIK SE-MF-2.0 mastering monitors alongside a precision analog console and outboard gear under warm studio lighting.
Front half-length portrait of Jürgen Strauss, founder and acoustic designer of STRAUSS ELEKTROAKUSTIK, looking directly ahead with crossed arms against a distinctive textured beige acoustic diffusion wall panel background.

Jürgen Strauss

Founder · Designer · Acoustician

Jürgen Strauss founded STRAUSS ELEKTROAKUSTIK GmbH in 2000 and designs high-quality audio monitors, analog electronics, and purpose-built acoustic environments for professional and critical listening applications.

At Sony Music Studios Tokyo, his SE-MF-2.0 Mastering Studio Monitors were selected for use across all mastering suites. Today, SE monitoring systems are used worldwide in high-level music production, mastering, research, and critical listening environments.

Jürgen Strauss designed the ARTLAB at the Max Planck Institute for Empirical Aesthetics (MPI EAE) in Frankfurt, consisting of a concert space with variable room acoustics and a sound studio for psychoacoustic research. For the IMMERSIVE LAB at ETH Zürich, he designed a 3D audio sound system for architectural acoustic auralization.

To further advance the quality of 3D audio reproduction, Jürgen Strauss founded and designed the SE MUSICLAB as a facility for research, development, and teaching.

Following his longstanding interest in the history of art, science, and technology, he continues to work on research projects concerning Vitruvius and room acoustic topics in De Architectura, Joseph Haydn’s symphonies and room acoustics, as well as historical recording techniques associated with Glenn Gould.

Jürgen Strauss is also a lecturer at ETH Zürich for historic and systematic aspects of architectural acoustics and has participated in architectural acoustic research projects together with Gramazio & Kohler / ETH Zürich.

ON THE WAY TO THE POINT SOURCE MONITOR

Design Approach

To meet the highest demands of professional and critical listeners, SE Monitors combine proven acoustic principles with innovative technologies. Oriented toward the physical ideal of the point source, all SE Monitors are built as two-way systems for full-range transmission.

This design approach is expressed through LIT woofer technology, new compression drivers, optimized passive filters, simulation, measurement, experimentation, and extensive listening tests.

Technical parameters and sound-aesthetic principles form the foundation of every SE design:

Tone Color

Wide bandwidth, high linearity, low linear distortion, and homogeneous dispersion

Resolution

Low non-linear distortion and micro/macro dynamics

Spatiality

Time alignment and reduced early reflections

Physical Design

Custom LIT Woofers, compression drivers, passive filters, measurement and listening tests

History

Our Story

1990s

STRAUSS ELEKTROAKUSTIK is founded by Jürgen Strauss in Bern, Switzerland

Establishing a design approach grounded in physics, perception, and acoustic accuracy.

2000s

International Recognition

Strauss monitoring systems gain recognition in demanding professional environments, including Sony Music Studios Tokyo.

2010s

Studio & Institutional Research Applications

Strauss expands its presence across studio and research applications through projects such as the Max Planck ArtLab and the continued development of reference monitoring systems.

2020

Continued Product Development and The SE MUSICLAB

New LIT driver development, the evolution of systems such as the SE MF-2.1 and SE MF-4, and the establishment of SE MUSICLAB mark a major new chapter.

2026

Expanding The SE ecosystem

The introduction of the AP Series, SE MF-20, SE PRE-1S, and SE REQ-1S expands the Strauss ecosystem.

Today

Ongoing Product Development, Research, and Acoustic Design Projects

Ongoing research, future product development continue to shape the Strauss reference standard.

Horizontal wide-angle view of a curated lineup of passive reference monitors from the STRAUSS ELEKTROAKUSTIK collection, showcasing the minimalist, high-end cabinet enclosures and precision acoustic engineering craftsmanship.
HIGH QUALITY STANDARD

SE Monitors For Science

STRAUSS ELEKTROAKUSTIK serves scientific and research institutions where exceptional accuracy in loudspeaker behavior and auditory perception is required. From the Max Planck Institute for Empirical Aesthetics to the Immersive Design Lab at ETH Zürich, Strauss systems are used for spatial auralization and wave-field research. That same discipline informs every Strauss monitoring system.

“The high linearity of reproduction provided by the SE MASTERING STUDIO MONITORS SE-MF-2.1, together with the neutral room acoustics of the ARTLAB, forms an essential foundation for our scientific work."

— Horst Stenschke | Head of ARTLAB, Max Planck Institute for Empirical Aesthetics